Here's an odd thing. `Taxi Driver' was on cable the other day and as I watched I noticed some startling little details : 1) A character alienated and angry in New York (duh (: ) Okay ... that's obvious. But how about this? 2) ... who sees an idiosyncratic drummer (not at Radio City Music Hall but on the street ... the one who says `And now Gene Vincent's syncopated style') 3) Who is very concerned about buying a particular record for the object of his affections 4) Who is very concerned about the fate of a teenage hooker. There were more, but these ones all clustered up as I was thinking about it. The only real notable difference is of course the ending. Call me crazy but I've always found the end of `Taxi Driver' pretty weak - wouldn't it have been a lot more psychologically interesting if Travis Bickle had've had all these fantasies about becoming famous through a slaughter but *didn't* carry them out? (Speaking of `A Clockwork Orange' ... my boyfriend went as Alex to a fancy dress party yesterday (I went as Lara Croft, from Tomb Raider (: ) Camille verona_beach@geocities.com @ THE ARTS HOLE http://www.geocities.com/Hollywood/Theater/6442 @ THE INVERTED FOREST http://www.angelfire.com/pa/invertedforest