> My allegiances to > JDS lay almost solely with the charming little Glass family. It's odd you say that because fairly often the Glasses just plain tick me off. It was quite a while before I could find myself caring about them, let alone liking them, whereas I would love to hear more about the Caufield family (and I hear there are short stories floating about). I find some parts of the Glass `canon' unbearably self-indulgent- but naturally it's worth it in the end for those little bits of gold which float to the top. > there are > no answers offered. It's just a big long rant on everything. That's the thing I *like* most about TCIR, and I certainly don't think ambiguity is restricted to it - what about the ending of `Teddy', or indeed `A Perfect Day for Bananafish' - no answers there! > I think people who read > Catcher who view Holden as the answer are a little bit misguided. I don't think we see him as the answer. More correctly, we see him as the Question. Which is why we're here providing answers for him nearly fifty years on. > It is also my understanding that Jerome David himself felt the Glass > family more worthy of his time and effort. Yes - that is after he had written about the Caulfields on and off for ten years. I find the work I'm doing now more worthy of my time than the stuff I was writing ten years ago (true, I was ten at the time ... (: ) Here's an interesting question : Would the Glasses exist without the Caulfields - or at very least, would we have heard of them ? Camille verona_beach@geocities.com @ THE ARTS HOLE www.geocities.com/Hollywood/Theater/6442