I just read `the Heart of a Broken Story' - and I was quite amazed that, at this early time (1941) the issues of the mature Salinger were obviously firmly entrenched even in a little piece of magazine fluff like that (as I'm sure he would have regarded it). You can trace a direct lineage from this to Hapworth. His obsession with letters, for example. There are shades of Jane Gallager in the heroine. Most notably there is his fluidity of time - the little vignettes that make up the story are in essence the Glass stories in miniature - a selection of disparate stories which combine to create a greater whole. I'm fascinated, for example, by the alternate versions of the possibilities seem to cancel each other out, a little like how Bananafish is `cancelled out' somewhat by the later Glass stories. Hey, there's a doozy. When you think about it, Bananafish is really only Buddy presenting one possibility, when you think about it. Sure, a lot of Salinger's early stories are trifles, but they reward serious scrunity. Camille verona_beach@geocities.com @ THE ARTS HOLE http://www.geocities.com/Hollywood/Theater/6442 @ THE INVERTED FOREST http://www.angelfire.com/pa/invertedforest