As far as just being a story goes, DDS is well told. But the character seemed immature and pretentious without that many endearing characteristics. He seemed to be less self-reflective than some of Salinger's other characters, lacking (apparently) Zooey and Franny's ability to be self critical. He seemed somewhat dishonest too at points. So I liked this story less (it's not one I didn't like at all, but I liked Down at the Dinghy more, actually) than some other stories, I think it's definitely far inferior to For Esme. I wouldn't compare any of the stories to Catcher, though, it seems like apples and oranges to me... Jim n a message dated 9/12/99 6:52:58 AM Eastern Daylight Time, verona_beach@hotpop.com writes: << I'm totally in agreement; De Daumier Smith as a character is appealingly self-centred in a way that the Glasses could only dream about, and the story (which I guess is long enough to almost be considered a short novella) I think is one of S alinger's best and examines some of his favourite topics - especially the connection between spirituality and creativity - in a very interesting and quite different way to how he does in later stories. But you'd be surprised how many people it rubs totally the wrong way. I've never understood it myself - it's a better piece of art than other stories in the volume like Down at the Dingy, which I would consider probably the weakest of the Nine Stories. DDS would probably rank just under Catcher as my favourite piece of Salingeria. Could anyone in the case against say exactly what they *don't* like about the story or its character? I've always been curious to know. Camille >>