Of course, but both of you are missing some substantially important points -- well, one really. And that's that you can't make global statements about this subject. It can only be treated on a story by story basis. "Teddy," for example, is completely unintelligible apart from some understanding of Eastern Philosophy. That is its subject matter. The same can be said of "Franny and Zooey," and that by the author's own comments (which I thought you would respect, Scottie). But when I read DeDaumier Smith, which seems to be about a young artist, or Down in the Dinghy, which seems to be about a mother torn between being honest with her young son and the desire to protect him from the hate in the world, or Pretty Mouth, which seems to be about marital unfaithfulness, I don't see any direct or implied connection between Salinger's personal beliefs and the content of the story at all. So I don't think it's an all or nothing proposition, and the desire to make it so either way is usually indicative of prejudice on the part of the person who takes the stance. Jim In a message dated 9/23/99 4:44:13 AM Eastern Daylight Time, rbowman@indigo.ie writes: << It hardly needs to be said but I might as well say it - that Sonny's point-by-point statement of the need for a vigorous scepticism when loading *any* text with its presumed impedimenta has my admiring & uneqivocal support. Scottie B. >>