Rick wrote: > if we say that the ambiguity of Antolini's actions > opens the door to the possibility of Salinger > examining Seymour as having a "sickness" > (pedoph.) we would have to look at Seymour in the > same light we view Antolini and I don't think the > ambiguity is there, in that sense. Indeed: perhaps I'm being too specific. I'll revise my statement to say that, instead of using Mr. Antolini as a filter through which to examine Seymour's intentions, perhaps the Antolini incident was Salinger's own, tangentially-connected, exploration of the *question* of whether or not such love for children may be construed--or even rightly diagnosed--as a mental illness. Not necessarily in direct correlation with Seymour. On the other hand, maybe Salinger was just using Antolini to explore Holden's own latent misgivings about what he may become if he stays as concerned about children as he is. I've read theories, here and elsewhere, that Antolini is a projection of Holden's future, but I don't think so. Holden reminds me more of Seymour, while Mr. Antolini has a voice distinctly reminiscent of no one other then Buddy Glass. Still, as you've demonstrated, it's troublesome to try to link Catcher up with the Glasses--especially considering that Catcher is a far superior work than any of the Glass episodes. (There; that ought to start an argument.) --Brendan _______________________________________________________ Get your free, private email at http://mail.excite.com/