Possibly we could regard Buddy as the most unreliable of all unreliable narrators. Our entire perception of not only Seymour but all the Glass characters (if we take the implication in S:AI that Buddy rather than Salinger is the `author' of the Glass related Nine Stories). What if the testimony on Seymour had been Mrs Fedders, or Muriel's? That would have made a huge difference in our perception of him. But that asks a very Barthesian question about the death of the author - if we can't trust Buddy then we can't trust Salinger and then - who can we trust? In a strange way Salinger surrenders his own authority as an author by speaking through a character for whom unreliabilities could come into play. Camille verona_beach@geocities.com @ THE ARTS HOLE http://www.geocities.com/Hollywood/Theater/6442 @ THE INVERTED FOREST http://www.angelfire.com/pa/invertedforest Pierott65 wrote: > I agree that we can't trust Holden's assessment of Antolini (and I think we > should be careful to keep a close eye on his assessments of everything else, > for that matter: his unsure footing is one of the reasons he, as an adolescent > character, has always ringed/rang/rung so true to so many different people, I > think). I just mean that if we say that the ambiguity of Antolini's actions > opens the door to the possibility of Salinger examining Seymour as having a > "sickness" (pedoph.) we would have to look at Seymour in the same light we > view Antolini and I don't think the ambiguity is there, in that sense. I think > in terms of running themes in the canon (Seymour as a version of Holden & vice > versa) that would color our interpretation of the cliff catching, make it less > than the kind of desperate and semi-heroic sentiment it is and that doesn't > fit for me. I hope that makes a little sense. > > With nothing better to do at 1 in the morning, > rick