Hi all, I just re-read A Perfect Day for Banafish [(c) 1948] and I have some questions. This is sort of an addendum to the right/left thread. A quick reminder - we pretty much agreed on Salinger's use of the right meaning: the analytical side, the side that pushes for survival, performs arithmetic, etc. (I can't remember whether it was vice versa) The left side is that which feels and paints and does those things that may not agree with the right. In Raise High the Roof Beam [(c) 1955], Carpenters, Seymour writes a poem about a white cat biting into his left hand to which Buddy Glass notes, 'I'm certain in my own mind that Seymour thought it was vital to suggest that it was the letf, the second-best, hand the young widower let the white cat press her needle-sharp teeth into, thereby leaving the right hand free for breast- or forehead smiting -- an analysis that may seem to many readers very, very tiresome indeed.' Buddy also mentions that Seymour wrote a classical style Haiku before he shot himself. I have the text here and J.D. explicitly states that Seymour took the gun and shot himself with his right hand. Why would he shoot with his right hand? It must be vice versa, or isn't it? I am really interested in hearing your thoughts on this matter. If it isn't vice versa, is Salinger suggesting that Seymour, a loving and delicate person, perhaps too delicate, was using his analytical side to soothe his emotional side after the Sybil incident and the elevator incident. Did he shoot himself out of mercy for his heart or instead, out of a flouncing emotional wish to end it all, both right and left sides? btw, the ULTRA GENIUS thing was a dumb joke, and that their should have been eight lines in the last message, no one has ten fingers, even 'toons! Please delete this paragraph in your reply, I am sorry. _________________________________________________________ DO YOU YAHOO!? Get your free @yahoo.com address at http://mail.yahoo.com