Jim wrote: > That's the way it works with real genius anyhow. Salvador Dali did quite > a few fairly imitative, tame paintings before he sold melting clocks. > His realism was impeccable in his early works. James Joyce mastered the > mainstream short story and wrote fairly traditional poetry (Pomes > Pennyeach) before writing anything so weird as Ulysses. > > And he couldn't have published Finnegan's Wake before selling that other > stuff, of course. I'm going to have to reluctantly agree here, amazingly enough (: One of the big questions in all the artistic industries I've been involved in is the good ol' `to sell out or not to sell out?' And I have generally said that basically, if doing something conventional or that you don't really want to do will put you in a position where you can, then it's probably a worthwhile trade-off. The Beatles had to do `Twist and Shout' before they could get away with Sergeant Peppers. It's pretty much what I'm doing now in the movie industry - if this film gets picked up I'll use the money to fund the one I *really* want made. But God, it is soul destroying sometimes. It's just like my Dad's always said - you've got to bust the rules from the inside. Camille verona_beach@geocities.com @ THE ARTS HOLE http://www.geocities.com/Hollywood/Theater/6442 @ THE INVERTED FOREST http://www.angelfire.com/pa/invertedforest