Scottie Bowman wrote: > Afterwards, she said she felt as if she were being loved > 'not so much for myself' as for what she had come to > represent in Salinger's mind. I recall hearing that Rita Hayworth divorced her prince because he was in love with Gilda, the role she had played, and not her. Somehow it holds very well with Salinger's dwelling in fiction more than reality - and I like your idea of the `emotional paedophile' - it can't be denied that Salinger's frequent use of children as the last word in purity and innocence (except Booper - why does everyone always forget Booper (: ? ) is in its own way slightly exploitative - vaguelly like those repugnant `Kids Say the Darndest Things' type shows which rig cameras up before small children and wait for them to say something endearing. I guess, in a way, Salinger's books are his own `It's A Wise Child'. There is, however, something very powerful about meeting someone who appears to be one of your own characters. Even I was first attracted to my boyfriend because he had a brother named Kane, had long blonde hair and a check shirt and his favourite band was REM - just like a character in one of my plays. I quickly learnt the difference between the character I had constructed and The Character I Had Constructed as Salinger (or indeed Jim (: ) might say. Camille verona_beach@geocities.com @ THE ARTS HOLE http://www.geocities.com/Hollywood/Theater/6442 @ THE INVERTED FOREST http://www.angelfire.com/pa/invertedforest