> When Schubert opens the Trout quintet with those two superconfident > chords & arpeggios, he's simply saying: `There. THAT'S the way it > is....' Which is what Cezanne is also saying when he starts laying > in those heart-stopping tiles of colour that make the shape of the > mountain. And when Ernest sends Fred Henry walking away from > the hospital in the rain. > > And when Holden first fixes you with his baleful eye & begins > telling you what happened. That's it, I think: the ability to judge art upon its merits and not upon a moral standard. While I don't believe it's possible to look at something *entirely* without the filter of personal ethics (that's subjectivism, isn't it? and there's no escaping that while you're human), I think you must sort of transcend it and simply appreciate the craft. It's what terrifies me about the phenomenon of things like Pulp Fiction, the film. It was, very simply, a brilliant piece of work. If you begin to judge it ethically, though, things get dangerous. Then comes words like Censorship and Banning. Or, on the other end, which I find at least equally dangerous...Well, I just listen to people talk about the movie, some of them, and I'm frightened by the way that they take it as a sort of Green Light to violence, murder, and excessive abuse of very dangerous drugs. Instead of watching the film as a pretty silly satire on very serious issues, they watch it as a dismissal of the seriousness of the issues. And now they've got me judging the film on morality, which bothers me doubly. While I don't advocate the general tossing out of Morality, I think it's important to be able to look at art not for instruction, but because it's art. Brendan ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com