In a message dated 10/4/99 10:00:44 PM Eastern Daylight Time, wh14@is9.nyu.edu writes: << On Mon, 4 Oct 1999, Matt Kozusko wrote: > > Why should we assume that the fab boy Cornish is proposing a realistic > situation in "Hapworth"? >> That's a good question and possibly the route by which Hapworth as a piece of writing can be redeemed, but the next obvious question would be, "what point does the unreality serve?" I love good magical realism, good fantasy, and even good old nonsense, but in all cases something of a self consistent world is constructed -- one that the reader suspends disbelief to enter. The Glass family saga and the pleasures it brings is based in the world you and I inhabit -- or very nearly so. That's always been part of what makes it enjoyable and attractive. And meaningful :) So, what do we gain in Hapworth and the way it steps away from that? Jim