Now that I might have a reader or two, I'll quickly state this post is not about you-know-what and is about Leonard Cohen. It was Colin's listing of "Beautiful Losers" on his 20/20 that got me to slink over to the mostly untouched part of my LP collection (I'm not a CD man) and cast a trembling hand at the three dusty LPs of L.C. that I had bought before Literature swept me (or my wallet) away. (Funny, thinking back to c. 1970, my Quartet of Masters consisted of Cohen, Paul Simon, Bob Dylan and John/Paul. In fact, I *dimly* recall once attempting to read part of "Beautiful Losers" in an extremely illegal state, and not making much progress before the walls and floor gave way.) Put on some cuts from: The Songs of LC, Songs from a Room & Songs of Love and Hate. Talk about a swoosh into the past. No, I won't list them. Yeah, they sounded awfully good and still am jealous of some of those rhymes. But I don't think now I would turn to L. Cohen for insights into *love*. Yeah, he can open the chest wall with the best of surgeons to reveal the heart and peel it like an onion to instruct us: See, it's just matter, and while we are at it in this room, after you and I get through all the rituals of the mating dance, it's just sex, dear, and don't ever forget we never did find *love* at the center of that onion. But one *might* say: No matter how artful or how long between the legs it doesn't lead to light (or call it love). That light, if it is anywhere mixed into this strange clay and dust we seem to be sculpted of, might be found within the eyes, and not some one-in-a-million iris, but there in that colorless pupil. Which is not to say I am not going one day to read "Beautiful Losers" in a legal state of mind. :) --Bruce