Sonny wrote: > > see that that could be a problem. However, I think this is not so > far from > > what I was saying the other day - that Salinger knows our tendency > to dig > > for autobiography, to dig for meaning - and he plays with it. > > Yeah, but that comes into the picture after the unexpected success of > Catcher, as you well go on to point out about the early work, as has > well been commented about even in the early reviews. No, I think I'd put an earlier date on it than that. As far back as `To Esme: With Love and Squalor', in which Salinger's narrator is a short story writer, a soldier who fought in the Hurtgen Forest and even shares Salinger's army number. I'm not saying readers were intitially expected to see the story as autobiographical, but delving into things even slightly and all evidence would point to it. Besides, one of the implicit themes of the story is biography vs. assumed biography - even the notion of calling the narrator Sergeant X makes us ask `whose identity is being protected? That of the narrator or that of Salinger himself? Therefore I think it would be wrong to say that Salinger's selfconscious toying with autobiography was not begun but merely exacerbated by Catcher's success. Camille verona_beach@hotpop.com